Fine Art Asia 典亞藝博 2025｜2025.10.4-10.7
10/4より香港で開催されるFine Art AsiaにThe Gallery by SOILより参加させていただきます。
会期中香港におられる、あるいは行かれる際はぜひお立ち寄りいただけると嬉しいです。
どうぞよろしくお願いいたします。
【Fine Art Asia 典亞藝博2025】
• Booth 展位｜A13
• Date 日期｜4.10-7.10.2025
• Venue 地點｜HKCEC 香港會議展覽中心 Hall 1E
Quote from Instagram post of Fine Art Asia
〖Exhibiting Gallery at FAA2025 – The Gallery by SOIL〗
Since its founding in 2012, The Gallery by SOIL has been dedicated to advancing Asian lacquer art, bringing together master artisans and contemporary artists of diverse cultural backgrounds. Based in Hong Kong, the gallery serves as a platform where tradition and innovation converge.
At Fine Art Asia2025, the gallery presents a recent lacquer work by Japanese artist Mine Tanigawa, who won the 2021 Kyoto City Prize for Young Artist. Recently, her works have been acquired by the V&A museum in London as a permanent collection.
Drawing inspiration from the natural landscapes of her hometown, Tanigawa’s sculptural works reveal supple lines and flowing curves reminiscent of brushstrokes in ink painting. Traditionally, Japanese lacquer is associated with weight and solidity. However, Tanigawa reimagines its possibilities by combining “urushi”, the Japanese lacquer, with fibre-reinforced plastic, achieving a remarkable sense of lightness and airiness. Meticulously crafted and polished with traditional techniques, her works embody an interplay between strength and delicacy, solidity and breath, offering a contemporary vision of lacquer as both material and metaphor.
自2012年創立以來，土壤文創致力於推廣亞洲漆藝，匯聚來自不同文化背景及創作意念的藝術家，搭建一個傳統與創新交融的平台。於#典亞藝博2025，畫廊將展出日本當代漆藝家谷川美音的作品《觸感風景_dp/sf》。⾕川於2021年榮獲 「令和3年度京都市藝術新⼈賞」，其作品更被倫敦維多利亞和艾伯特博物館納入永久館藏。
創作靈感源自故鄉的自然景色，谷川的雕塑作品展現出宛若水墨筆觸般的柔和線條與流動曲線。傳統上，日本漆藝予人厚重堅實之感。谷川突破材質的既定印象，結合日本漆及纖維強化塑料，透過精細的工藝與傳統打磨技法，賦予作品一種輕逸如風的氣息。谷川在沉實與輕巧、厚重與通透之間建立微妙的平衡，呈現出漆作作為材質與隱喻的當代新視野。